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Participation: 100%
Unique Durations: 4-5
Unique Accidentals: 2
Unique Notes: 16 - 20
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Opera
HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"
edward.maurath
3:55 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Bertarido Treble 13 0 2 6 76%
Vln
1		 Treble 14 0 0 7 57%
Contrabass Continuo Bass 11 0 0 4 53%
Viola 10 0 0 4 47%
Vln
2		 Treble 11 0 0 5 47%
 
HWV1A2N26 - Svenerò chi fa guerra a questo cor
edward.maurath
1:23 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Violone Continuo Bass 16 0 2 4 100%
Tenor
as Osman		 12 0 1 5 89%
 
HWV19N9 - Sinfonia in g minor
edward.maurath
1:00 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
Bassoon Continuo Bass 16 0 2 5 100%
Contrabass Continuo Bass 16 0 2 5 100%
Viola 12 0 1 5 100%
Violoncello Continuo Bass 16 0 2 5 100%
Vln
1		 Treble 14 0 3 8 100%
Vln
2		 Treble 13 0 3 7 100%
Oboe Treble 19 0 5 8 94%
 
HWV7A2N10 - "Lascia ch'io pianga" in F Major (Almirena)
edward.maurath
1:54 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
Cello Bass 15 0 2 5 100%
Almirena 12 0 3 6 81%
Bass Bass 10 0 0 5 71%
Viola 10 0 1 5 71%
Violin
I		 Treble 10 0 1 5 71%
Violin
II		 Treble 9 0 1 5 71%
Violoncellos Bass 10 0 0 5 71%
 
La Serva Padrona, I. "Aspettare e non venire"
Opera Dude
1:38 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 17 3 3 4 100%
Bass 16 4 2 5 100%
Bassoon Bass 16 0 2 5 69%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 17 3 3 4 100%
Bass 16 4 2 5 100%
Bassoon Bass 16 0 2 5 69%
 
"Presti omai l'Egizia terra" From HWV 17
edward.maurath
2:46 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 16 10 2 4 100%
Bass 17 10 2 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 16 10 2 4 100%
Bass 17 10 2 4 100%
Cello Continuo Bass 17 0 2 4 100%
Contrabasses Bass 17 0 2 4 100%
Violoncellos Continuo Bass 17 0 2 4 100%
Violins 1 Treble 18 0 1 5 98%
Violins 2 Treble 19 0 2 5 98%
Violas 13 0 1 4 81%
Cesare 13 0 2 7 74%
 
"Ritorni omai nel nostro core" from "Giulio Cesare," HWV 17, (1724)
edward.maurath
2:32 Est. Play
Time
107 Measures
2,086Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Contniuo Treble 19 15 4 6 100%
Bass 20 25 3 6 100%
View all 19 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Contniuo Treble 19 15 4 6 100%
Bass 20 25 3 6 100%
Basso Continuo Bass 19 0 2 5 100%
Fagotto (Viole) Bass 21 0 2 4 100%
Oboe 1 Treble 15 0 2 5 100%
Oboe 2 Treble 14 0 4 5 100%
Contrabassi Continuo Bass 14 0 2 3 79%
Viole 11 0 2 4 79%
Violini 1 Treble 13 0 2 4 79%
Violini 2 Treble 11 0 2 4 79%
Violoncelli Continuo Bass 14 0 2 3 79%
Corni re Treble 8 0 0 3 73%
Corni sol Treble 7 0 0 3 72%
Bassi Bass 13 0 2 3 69%
Contralti 9 0 1 4 69%
Soprani 13 0 2 4 69%
Tenori 8 0 2 4 69%
Cleopatra 8 0 0 4 23%
Cesare 9 0 2 4 22%